Langridge Dry Pigments 120ml (Powdered Pigment)
Langridge artists’ pigments are perfect for use in interior, exterior, and archival applications and are noted for their quality of grade and fineness.
You can use Langridge’s pigments into most mediums such epoxy resin, oil, acrylic, gouache, varnish, wax, paper pulp, or clay. Mix and create your own paint colours, or add to epoxy resin to create fabulous resin art pieces!
All Langridge dry pigments are pure single pigment types with no blending. Langridge supply traditional earths and historical colours from original sources as well as constantly researching and selecting modern pigments to satisfy artist demand for new colours of vibrancy and intensity.
Every colour is verified for its origin and identified for its chemical characteristics to provide the artist with a range of pigments noted for their quality of grade, pigments are highly lightfast ASTM 1 (excluding fluorescent colours).
- Wide range of light-fast pure pigments
- Excellent colour strength, clarity and brilliance
- Ideal for artists who prefer to create their own paints
- The best product to colour epoxy resins
- Excellent value colours go a long way
Select Colours:
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Langridge Wax Paint Paste is a wax medium with a thick, buttery consistency that can be added to oil colour to add body or thickness. A highly stable impasto medium that extends oil colours whilst keeping a strong bodied brush or palette knife stroke. The wax holds its shape during and after full drying, without the dangers of ‘surface-crawl’ and excessive yellowing.
Keeps a bodied brush stroke for robust direct painting techniques. Natural matte quality of wax will reduce the gloss level of resulting paint films. Do not mix
By adding Wax Paint Paste in quantities over 70%, coloured translucent glazes are created. Using Wax Paint Paste as a glaze gives paintings a soft glow, particularly when used over pale background colours.
Because wax is not absolutely clear it will reduce the depth of tone of colours. For this reason. Wax Paint Paste is slow drying, allowing for a wet-in-wet technique with very controlled manipulation of paint including soft blending. As the paint is brushed out stroke-marks will be held in place. The Stand Oil base ensures pale colours stay bright even when used in high proportions with oil colours.
Please note: Langridge Wax Paint Paste is a very pale cream colour paste with a characteristic Gum Turpentine odour.
Full film drying 3-6 months.
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Langridge’s Safe Clean Up is a solvent free, non-toxic hand and brush cleaner for safely removing oil and acrylic paint.
Langridge cleans, conditions, and restores paint brushes in one step. Use with wet or dry oil paint, wet acrylic paints, watercolour paint and stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before even with the finest sable brushes!
This unique product works on oils, acrylics, watercolour, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition.
Wipe off excess paint onto a cloth, then vigourously work Safe-Clean-Up into oil colours until foaming. Rinse off with water.
Remove dried paint by coating your brush with Safe-Clean-Up overnight. Rinse off with water to restore brushes for further use.
- Coconut oil based
- Non-toxic
- Solvent free
- Totally degrades in environment
- No phosphates or skin irritants
- Completely safe in contact with skin.
- 250ml
Oleogel is a clear soft oil medium for extending oil colours.
It is very versatile – when applied vigorously it will become fluid allowing easy brushing and as soon as it stops being moved around it immediately ‘sets up’ and does not drip or lose its position. Small additions of Oleogel will enhance brush strokes and aid the handling qualities of existing oil colours. The more medium that is added to the oil paint, the more transparent your oil colours will become due to the further suspension of the pigment throughout the medium.
It is recommended to apply only in thin paint films to prevent surface wrinkling. If you are wanting to apply thick impasto paint we recommend using the Langridge Impasto Medium instead.
Langridge Oleogel is a clear gel with a characteristic Safflower Oil odour. Very fresh medium may exhibit a bluish-grey cast. The colour of the medium will not effect the oil colours with which it is mixed.
- A solvent free, soft gel medium for extending oil colours.
- Aids fluidity and paint handling.
- Holds brush marks.
- Non-yellowing Refined Safflower Oil base.
- Fat medium with high oil content – do not use for underpainting or under oil paints without additional ‘fatter’ mediums applied on top.
- Not recommended in larger percentages with white colours.
- 24-48 hours to touch dry. Any airflow over the surface will evaporate the solvent more rapidly which will reduce drying times. Full film drying 3-6 months.
- Dries to a gloss finish.
- Thin with solvent such as Solvent 75
- May be added to oil colours at quantities at the discretion of the artist.
Constituents: Refined Safflower Oil, Fumed Silica, Castor Wax, Cobalt Drier, Calcium Drier.
Langridge’s Impasto Medium is an incredibly thick gel medium that can be added to oil colours for extra body without altering their colour intensity. Loved by artists for it’s thick buttery consistency and ability to holds incredible shape without slumping when applied thick.
Can be applied with a brush or a palette knife. When worked using a brush or palette knife the medium becomes slightly looser allowing for easy incorporation with colours.
Initially small additions will stiffen the handling of existing oil colours. As more medium is added, the oil colour will be suspended and extended forming a thick paste.
Langridge Impasto Medium has a high oil content and, as such, is a ‘fat’ medium. Due to it’s physical nature Langridge recommends not over painting Impasto medium with any other medium.
Ingredients: Refined Safflower Oil, Fumed Silica, Castor Wax, Cobalt Drier, Calcium Drier
- For use with Oil Paints
- Fat medium
- Perfect for thick Palette Knife painting
- Solvent Free
- Non-yellowing
- Recommended maximum addition of 25% of total paint volume.
- Australian Made & Owned
- Professional Artist’s favourite!
Please note: The 300ml comes in a caulking tube.
Langridge Oil Glazing Gel
Langridge Oil Glazing Gel has a fast drying capacity, damar resin based medium giving lasting brilliance and luminosity when mixed with oils colours allowing for modern glazing technique. Thixotropic medium with a soft gel consistency designed for bold glazing.
When mixed with paint and applied vigorously with brushes or palette knife the medium becomes highly fluid allowing easy brushing. As soon as the medium stops being moved it immediately ‘sets up’ and does not drip or lose its position. Artists can utilise this high degree of manipulation for a very robust brush-marking technique without the thick application of paint.
Langridge Oil Glazing Gel may to be added to oil colours in quantities at the discretion of the artist. It can be used as an all-round flow medium for extending colours. Fast drying to allow for the rapid build up of paint layers.
As more medium is added to the oil colour so the opacity of the resulting paint will be reduced. Bold glazes can be applied that can hold marks including brush, sgraffito and frottage techniques. The layer of transparent paint (or glaze) should sit on top of the existing painted areas not unlike a layer of coloured film, that is, altering the colour of oil colours beneath without obscuring the form.
Langridge Oil Glazing Gel has a high Linseed Oil content and, as such, is a ‘fat’ medium. It should not to be used for underpainting if oil colours with no additional medium are to be applied on top. Note: Over-use of Oil Glazing Gel with pale colours may cause yellowing.
Dries to a gloss finish.
Make your own Acrylic Paints with this Acrylic Binder
Permanent, non-reversible acrylic binder. Artist-grade pure acrylic monomer solution.
Mix with Langridge Liquid Pigment Concentrate to make your own artist acrylic paint. Recommended maximum incorporation of 50% (by volume) of Liquid Pigment Concentrate to Acrylic Binder. Add desired amount of colour and stir till fully mixed.
Drying time: 30-60 minutes to touch dry. Full drying: 72hrs
Thinning: for best results thin with distilled water.
Clean Up: clean brushes with warm soapy water
1 Litre Tub
Langridge Gum Arabic 500gm
Make your own watercolour paints or gouache paints! Gum arabic is the binder used in watercolour and gouache and can also be used to increase transparency in watercolours.
- Makes Gum Arabic solution.
- Dissolve 1 part gum in 3 parts water (by weight).
- Add to watercolours to increase transparency.
- Binder in watercolours and gouache.
